戴厚英《人啊，人！》中的文革記憶：敘述與表現

The Cultural Revolution Memories in Dai Houying's Ah, Humanity：Narration and Representation

戴厚英的小說《人啊，人！》是中國當代小說中，書寫文革議題的重要作品，並以「人道主義」為核心關懷。過去的研究多從人道主義問題、小說語言風格、創傷書寫或知識分子形象等角度分析此作，而本文則將回歸小說的寫作與敘事方法，探討《人啊，人！》的論述表現如何再現文化大革命的歷史與集體記憶。
本文認為《人啊，人！》中的知識分子角色對文革的記憶呈現多元面向，無論是親歷文革的世代或是後文革世代的角色，皆展現不同的歷史經驗與敘事立場。此外，戴厚英採用「眾聲喧嘩」的敘事手法，使小說內部形成多音聲響的現象，而小說中「小說家」角色的敘事功能，亦使小說的節奏、情節鋪陳與人物塑造更加豐富，呈現出多層次的論述結構。

Dai Houying's novel Ah,Humanity! is an important work in contemporary Chinese literature that addresses the topic of the Cultural Revolution, with a core concern for ''humanitarianism''. Previous studies have analyzed this work from various perspectives, including humanitarian issues, narrative style, trauma writing, and the portrayal of intellectuals. This paper, however, will return to the writing and narrative methods of the novel, exploring how the discourse in Ah, Humanity!represents the history and collective memory of the Cultural Revolution.
This paper argues that the roles of intellectuals in Ah, Humanity! present multiple facets of memory regarding the Cultural Revolution. Whether from the generation that directly experienced the Cultural Revolution or from the post-Cultural Revolution generation, these roles exhibit different historical experiences and narrative positions. Furthermore, Dai Houying employs a narrative technique of ''cacophony,'' creating a phenomenon of polyphonic sound within the novel. The narrative function of the ''novelist'' character also enriches the novel's rhythm, plot development, and character portrayal, presenting a multi-layered discourse structure.