城寨的浪漫化：LOFTER同人創作基於電影〈九龍城寨之圍城〉的文化傳播

The Romanticization of the Walled City: Cultural Transmission of Fan Creations on LOFTER Based on the Film Twilight of the Warriors: Walled In

香港九龍城寨曾為著名的「三不管地帶」，居民龍蛇混雜，建築物具有賽博龐克（Cyperpunk）野蠻生長的特色，歷年有不少動漫影視作品將其作為敘事背景。2024年中，香港電影〈九龍城寨之圍城〉上映，在內地和香港、日本等地廣受歡迎，並衍生出許多同人圖文創作。本研究以亨利·詹金斯（Henry Jenkins）的「文本盜獵」理論為主要框架，並以讀者角度隨機從網易LOFTER平台選取〈九龍城寨之圍城〉同人文章，篩選並分析當中女性向同人小說的敘事特徵，指出其如何利用〈九龍城寨之圍城〉電影本身「保衛城寨」的設定，抽離殖民歷史脈絡，淡化黃賭毒，創造強調兄弟情義、兒女情長的港風「市井江湖」寫作背景。本文指出，此種選擇性「盜獵」既是對本土敘事的去政治化改寫，也是女性作者藉由虛構女主角與電影角色互動的過程，滿足其想像和情感的需要，可說是城寨文化在當代懷舊美學下的重塑和傳播。

Kowloon Walled City in Hong Kong was once a notorious ''zone of triple non-governance,'' known for its diverse and often unruly residents and architecture characterized by a wild, cyberpunk-like proliferation. Over the years, it has served as a narrative backdrop in numerous animated, comic, and cinematic works. In mid-2024, the Hong Kong film Twilight of the Warriors: Walled In was released, gaining widespread popularity in mainland China, Hong Kong, Japan, and beyond, and spurring a wave of fan-created texts and illustrations. This study adopts Henry Jenkins' theory of ''textual poaching'' as its primary framework. From a reader's perspective, it randomly selects fan works based on Twilight of the Warriors: Walled In from the NetEase LOFTER platform, filters them, and analyzes the narrative features of female-oriented fan fiction. The research highlights how these works utilize the film's core premise of ''defending the Walled City'' while detaching it from its colonial historical context, downplaying elements such as vice, gambling, and drugs, and instead constructing a localized ''urban Jianghu'' setting that emphasizes brotherhood and romantic relationships. This paper argues that such selective ''poaching'' not only represents a depoliticized rewriting of local narratives but also allows female authors to fulfill imaginative and emotional needs through fictional heroines interacting with the film's characters. It can be seen as a reshaping and dissemination of Walled City culture under contemporary nostalgic aesthetics.