| 英文摘要 |
This study aims to employ shadow puppetry as the core material to respond to local cultural transmission and social needs through the implementation of social innovation initiatives, specifically curriculum-based teaching and promotional activities. The research adopts a qualitative methodology, primarily utilizing interview data, complemented by observations of instructional practices and participation in outreach events. Data were analyzed using the four themes of social innovation theory proposed by Lettice and Parekh, focusing on the effectiveness of curriculum and activity implementation. Findings indicate that interdisciplinary course design and activities reposition shadow puppetry as an educational medium and a resource for cultural innovation, embodying a“changing the lens”strategy. In terms of“building missing market links,”the curriculum integrates technological applications, language learning, and community participation, thereby enhancing engagement in cultural activities and the circulation of resources. Regarding“engaging a new‘customer’base,”the interdisciplinary curriculum broadened participation among faculty and students from both the humanities and sciences, while workshops and community-based events deepened audience involvement, fostering cultural identification and a sense of engagement. Finally, the theme of“leveraging peer-support”facilitated connections and exchanges among cross-sector collaborators, contributing to the establishment of a cultural co-learning network. Based on these findings, the study recommends that future curriculum and outreach initiatives incorporate diverse perspectives and interdisciplinary strategies, supported by robust peer networks and evaluation mechanisms, to strengthen the sustainability of cultural education and its value as a form of social innovation. |