| 英文摘要 |
Architecture seems inherently linked to space; discussing architecture almost equates to discussing space. Architectural design education consistently emphasizes the importance of space, placing spatial design at the core of architectural practice. In much architectural literature, the understanding and creation of space serve as a central theme, encompassing a wide range of issues related to perception and experience, activity settings, social symbols, and historical and cultural contexts. While this diversity enriches architectural thought, it may also give rise to conceptual ambiguity and confusion. While architectural history may be interpreted as a history of space, space itself is not necessarily intrinsic to architectural history. From the perspective of architectural thought, space did not enter architectural theory until the late nineteenth century. Through the development of modernist architecture in the early twentieth century, space was firmly established as the standard language of architecture by the 1950s. During this process, architectural space evolved from a marginal notion into a central conceptual category, from vagueness to clarity, and eventually became a medium for architectural design and thought. However, if the exploration of space in architecture must respond to the specific tasks and demands of the discipline, architectural space cannot be regarded as a universal or arbitrarily defined spatial concept. Rather, it is a product constituted by the gradual expansion and integration of spatial knowledge within the history of architectural thought, possessing a unique epistemological perspective. Therefore, this paper argues that architectural space is not a universal concept; its fundamental characteristics, compositional conditions, and operational methods all originate from architecture’s own process of knowledge construction. By evolving through a continuous movement between concretization and abstraction, it ultimately manifests the core features of hybridity and dynamism. |