| 英文摘要 |
It is important in Philosophy and Esthetics to deal with the concept of “adverse unity” and “diverse unity”. The former is a process from duality to unity, and the latter is from multiplicity to unity. This concept originated from Chinese classics such as Zhou Yi (including Book of Changes and Explication on Book of Changes), where the transit from “physics” to “metaphysic” implies a reverse structure (i.e., the “multiple, binary, and unitary (zero)” structure) and that from “metaphysic to physics” involves a compliant sequence (i.e., the “(zero) unitary, binary and multiple structure”). There are similar thoughts in other classics. For example, Lao Tze said, “The motion of the Way is to return” (Ch. 40, Tao Te Chin) and “All the flourishing things will return to their source” (Ch.16). Besides, the notion of “Fulfillment and Non-fulfillment” in The Order of Hexagram Symbols, Book of Change (Zhou Yi, Xu Qua) also suggests an endless circulation in life and the universe. These philosophies can be integrated as a spiral structure; that is, an interactive and revolving process between the compliant and the reverse sequences. Such a structure can be applicable to philosophy and aesthetics. This article discusses the connotation and the logic of the “multiple, binary, and unitary (zero) ” spiral structure by exampling from Chinese literary works. Based on this structure, I also explore its relation with images and demonstrate the logic of Chinese literary works. |