| 英文摘要 |
Not only does the novel I Love Black Eyes is an important work by Qi Deng Sheng, Taiwan’s modernist writer, but also is a work serving a link between the past and the future in the course of the writer’s writing career as well as a significant way to realize the writer’s writing arts. Each of Qi Deng Sheng’s work reveals strong autobiographical elements, and each of his work is the embodiment of “incompleteness” in “the process of shaping a complete ego.” With regard to research method, this essay relies on close reading to put I Love Black Eyes in the context of the writer’s writing process to highlight its implications. Through the preceding interpretative strategy, the aim of this essay is to re-explore the important implications of I Love Black Eyes that have not paid close attention to nor interpreted yet by commentators from which to delve into the place of the novel in the writer’s creation process. Through exploring the important implication of the place of I Love Black Eyes and a discussion on the writer’s writing process, this essay indicates that I Love Black Eyes highlights two main lines for the writer’s subsequent writings: 1. “The confrontation between the individual and the city;” 2. “Settle the mind for life affection.” In a way, the necessity of placing importance on I Love Black Eyes lies in its key place connecting the writer’s earlier and later writing styles in his creation process. Through the interpretation of I Love Black Eyes, we can have a good grasp of a clue about Qi Deng Sheng’s subsequent writings from which to gain insights into the special literary style of Qi Deng Sheng, an iconic modernist writer, wherever it stands. |