| 英文摘要 |
Cheng Chungyi's From Song-Ming Neo-Confucianism to Contemporary Neo-Confucianism contains twelve long articles. Except for Chapter 9,“The Theory of Li and Qi: From Song-Ming Neo-Confucianism to Contemporary Neo-Confucianism,”which was first published, the remaining chapters are revised versions of previous works, compiled into a single volume, and represent the author's latest research findings. The book can be divided into three main parts: the core concepts of Song-Ming Neo-Confucianism, contemporary Neo-Confucian studies of Song-Ming Neo-Confucianism, and contemporary Neo-Confucian responses to the challenges of modernity. The book holds significant value in multiple aspects, including philosophical concepts, academic contexts, and reflections on the contemporary relevance of Confucianism. This book comprehensively explores Confucian issues from Song-Ming Neo-Confucianism to contemporary academic developments, unfolding its arguments along various threads. It demonstrates a masterful ability to analyze the core concepts of Song-Ming Neo-Confucianism in meticulous detail, while also precisely elucidating the research findings and rationale of contemporary Neo-Confucianists, particularly Mou Zongsan and Tang Junyi. The author refers to these approaches as“ontological analysis”and“moral cultivation.”Finally, the book devotes significant attention to rethinking the contemporary significance of Confucianism, addressing how it should respond to the challenges of modernization, and considering how to actively engage with the issues and challenges posed by the times. It thus poses the fundamental question of rethinking (reconceptualizing)“what Confucianism is.”This book review points out that the author's research approach to the three main parts of the book can be summarized in the following three points: First, following the example of contemporary Neo-Confucian scholar Mou Zongsan's method of interpreting original texts (such as in“Mou Zongsan’s Twenty-Four Letters to Xu Fuguan”), the book provides a meticulous analysis of the philological and interpretive explanations of Song and Ming Neo-Confucianism. Second, the author constructs a methodology for understanding Song and Ming Confucianism, taking a unique approach from the perspective of“sensory communication,”while also devoting considerable effort to providing a comprehensive discussion of“ontological analysis”and“moral cultivation,”and extending philosophical history issues to the development of“qi studies”during the Ming and Qing dynasties. Third, the author is rooted in the academic tradition of Confucianism responding to the times, highlighting the openness and vitality of Confucian thought and expounding on the contemporary value of Confucianism. In terms of important issues and aspects of the Confucian tradition, this book can be summarized as follows: the focus and advancement of issues from“li”(理) to“xin”(心) to“qi”(氣) is worthy of further discussion on its meaning and value. |