| 英文摘要 |
This paper aims to examine how digital immortality technologies, as portrayed in some episodes in British TV series Black Mirror and Amazon Prime video Upload, represent techno-capitalism’s commodification of consciousness and perpetuation of social inequalities. Through analyzing Be Right Back, San Junipero, Black Museum, White Christmas, and Upload, the paper demonstrates how technological solutions to mortality paradoxically create new forms of oppression and control. While tech startups promise digital immortality as a democratizing force, these narratives reveal how the technological transcendence of death actually capitalizes on continued existence and even intensifies existing social inequalities. Be Right Back exposes the monetization of grief through tiered service models, Black Museum shows how racial violence persists in digital form, San Junipero discloses the commodification of queer love, White Christmas reveals digital consciousness as an instrument of self-exploitation and the production of“docile consciousness”through temporal manipulation, and Upload critiques how class stratification extends beyond death. Drawing on theories from N. Katherine Hayles, Giorgio Agamben, Joshua Hurtado, and Peter Bloom, the paper argues how contemporary techno-capitalism transforms death into a new frontier of capital accumulation. The paper reveals that digital immortality technologies not only convert humanity’s most intimate experiences—consciousness, memory, emotion, and interpersonal relationships—into quantifiable commodities, but also perpetuate unequal social structures beyond death’s threshold by encoding social hierarchies into the very infrastructure of eternal life. Ironically, these technologies that promise to liberate humans from biological constraints may ultimately bind us more tightly to corporate management and market logic in the afterlife. |