| 英文摘要 |
In the past decade or so, a trend of the Trans-cultural Zhuangzi Study has emerged in Taiwan, which came from a reflection and concern for the contemporary era. This study focuses not only on the theory of the Trans-cultural study proposed by Fabian Heubel and Mathias Obert but also on Zhuangzi, a classic text with a deep trans-cultural potential. The trans-cultural potential of Zhuangzi not only comes from the ideas therein which can be interpreted and communicated with the West but also from its focus on contemporary issues and the development of a new vision. The new vision can reflect on the rational subject of the West while offering a critical perspective on the traditions within the East, thus achieving the meaning of mutual transformation and responding to contemporary dilemmas. In other words, the trans-cultural study is neither Western-centrism, nor Chinese cultural subjectivism, nor cultural essentialism. These three “nos” present the characteristics of the trans-cultural study in a negative way, echoing Zhuangzi's trans-cultural potential. Zhuangzi is known to have a strong spirit of negation and deconstruction, but because of this, it has often been categorized as an aesthetic or artistic subject. Even if it is not completely a seclusion philosophy, it also lacks active input and practice in the real world’s ethics and politics. However, in the general direction of reflecting on the rational subject, the importance of aesthetics, arts, body skills, feelings, and materiality is reassessed, and the Qi(氣) Theory becomes a focus. In addition, how to rethink ethics and whether there is a “Taoist ethics” has also become an important issue. At present, the Trans-cultural Zhuangzi Study in Taiwan has been quite fruitful. Therefore, this study explores the research results of scholars, such as Rur-bin Yang, Chen-yu Chung, Tsang-long Liu, Fabian Heubel, Mathias Obert, Shi-san Lai, and Ming-chao Lin. It attempts to outline the humanistic landscape of the Trans-cultural Zhuangzi Study in Taiwan. |