《和訓押韻》（《十一韻》、《平韻》）之研究

The Research of Wakunouin ( 11In, Heiin )

《和訓押韻》的傳抄刊刻本有「北岡文庫抄本、松平文庫抄本、龍門文庫抄本、古義堂文庫抄本、古義堂文庫本，京都大學印本」等，至今的研究方向，主要以傳抄刊刻本之內容所引用的典籍為主。本研究將不同於以往的研究，轉而以作者（編者）為主要研究對象，並從序文、韻目等多方面的資料收尋與調查，以探討各傳抄刊刻印本之順序緣由。各傳抄刊刻印本的「書名」有《和訓押韻》和《十一韻》等名稱，本研究亦根據序文之內容，推論原名稱應為《和訓押韻》。《和訓押韻》（「北岡本」）的作者，如依後記應為幽斎，但在江戶初期的《書籍目錄》中，皆是以《十一韻》記載，其編者皆記為紹巴。本研究中亦以其為出發點，欲探討《和訓押韻》的書名如何演變為《十一韻》的過程。此外，探討《和訓押韻》的序文「予壯年より敷嶋の風をあふきて　道をつたへ」與幽斎的經歷相符，以及研究各傳抄刻印本序文內容差異處：「北岡本」內提及的「龍頭蝿聲」，在其他傳抄刻印本（如「松平本」、「龍門本」、「印本」）皆為「龍頭豕腹」，因而推測出《和訓押韻》的作者應為幽斎，編者應為紹巴。最後，統整出各傳抄刻印本的系統圖。

There are Kitaokabunnkosyouhon, Matutairabunnkosyouhon, Ryuumonbunkosyouhon, Kogidoubunkosyouhon, Kogidoubunkoinhonn, Kyoutodaigakuinhon in the Wakunouin carving printed book. Up to now the main direction of study is to quote ancient codes from the contents of the carving printed book. This study is different from the past. The author or editor is the main research object, and to study the introduction and the catalog of the rhyme for the carving printed books, seeking and investigating the sources from such materials in many aspects as the preface and rhyme. The names of the carving printed books are Wakunouin and 11In. This study is based on the contents of the introduction, the original name which is Wakunouin. The author of Wakunouin (Kitaokahon) should be Yusai, which depends on the postscript. But according to the early Edo period records, the editor is Zyouha. The purpose of this study is conferring the transferring process of the name of Wakunouin how to evolve 11In. Moreover, the study the introduction want of Wakunouin correspond with the experience of Yusai, however the difference between Ryutouyousei in Kitaokabun and Ryutousihuku in other carve printed books (such as Matutaitabun, Ryumonbun, and Inhon) is also included to this research. Therefore, a conjecture that author of Wakunouin should be Yusai, and the editor is Zyouha. Accordingly, to arrange the systematic drawing of the carving printed books.