舒曰敬與《皇明豫章詩選》：明末江西詩壇的分歧與轉向

Shu Yuejing's ''Imperial Ming Poetry Selection of Yuzhang'': The Divergence and Transformation of Jiangxi's Poetry Circle during the Late Ming Dynasty

本文以明末江西詩壇為背景，探討舒曰敬（1558-1636）及其編纂的《皇明豫章詩選》對當時文學風潮的影響。文章首先梳理了江西詩壇從芙蓉社到龍光社與匡山社的發展脈絡，指出宗室與士紳的分歧與互動。舒曰敬晚年轉向詩作，編纂詩選以回應王世貞「江以西無詩」的論點，並試圖建立江西詩壇的地位。詩選以匡山社成員為核心，排除宗室詩作，形成與宗室詩社活動並行的另一條線。然而，明末風潮已轉向制藝，小讀書人逐漸從詩社流向制藝文社，詩與制藝的關係被重新定義。舒曰敬的詩選是復古派在江西的最後一曲，標誌著詩壇的轉向與新風潮的興起。

This study examines the literary dynamics of late Ming Jiangxi through the lens of Shu Yuejing and his compilation, Huangming Yuzhang Shixuan (Imperial Ming Poetry Selection of Yuzhang). It traces the evolution of Jiangxi's poetic societies from the Furong Society to the Longguang and Kuangshan societies, highlighting the divergences between the aristocracy and the gentry. In response to Wang Shizhen's critique that ''there is no poetry west of the Yangtze,'' Shu Yuejing devoted his later years to compiling this anthology to assert Jiangxi's poetic legacy. The anthology is centered on the Kuangshan Society’s members and excludes contributions from the aristocracy, creating a poetic tradition that ran parallel to that of the aristocrats. However, as the literary trend shifted toward zhiyi (eight-legged essay) writing, younger scholars gravitated away from poetry societies toward essay-writing clubs. Shu Yuejing's anthology thus represents the final chapter of Jiangxi's revivalist poetic tradition before the emergence of new literary trends.