| 英文摘要 |
From the pre-Qin via Han dynasties to the Wei-Jin period, the discourse on the“sage”underwent significant transformation. In terms of the inner sageliness of the sage’s mind-body and awareness, pre-Qin Confucian and Daoist traditions often linked the“sage”to“divine spirits”(shenming神明), which were primarily external deities. The sage emulated heaven and earth, followed divine principles, and established rituals and music for the daily use of the people-- actions categorized as“responsive interaction with things”(yingwu應物) and“adaptation to the times”(yingshi應時), constituting the“outer kingliness”(waiwang外王). In Wei-Jin metaphysics, however,“spiritual intelligence”(shenming) increasingly became an internalized dimension of wisdom and spirit, attainable not only by sages but also ordinary individuals. Wang Bi’s theory epitomizes this shift: the sage’s“spiritual intelligence”surpasses that of ordinary people, representing an inner fullness and perfection rooted in“taking non-being /the Wu as the foundation”(yi wu wei ben以無為本). This state of formlessness, namelessness, and alignment with the Way (dao) enables the sage to“embody the harmony of vacuity (chonghe沖和) to comprehend non-being”(ti chonghe yi tong wu體沖和以通無). The sage interacts with all things through non-coercive responsiveness, harmonizing with the world while remaining“unburdened by things”(wulei yu wu無累於物). In contrast, He Yan’s theory denies the sage’s possession of“five emotions”(wuqing五情), emphasizing only the“non-being-based spiritual intelligence”, thereby severing the sage’s connection to ordinary people and the world. He argues that worthy individuals (xianren賢人), though possessing emotions, can align emotions with principle (li理), ensuring that“anger does not exceed its proper measure”(nu bu guofen怒不過分). Zong Bing’s notion of the sage“embodying the Way to illuminate things”(han dao ying wu含道映物) and the worthy individual“purifying the mind to contemplate images”(cheng huai wei xiang澄懷味象) synthesizes Wang Bi’s theory of the sage’s“responsive interaction”and He Yan’s idea of emotional moderation, extending these concepts into artistic practice. Investigating Wei-Jin metaphysical theories of the“sage”will advance the development of Chinese philosophy centered on“inner sageliness and outer kingliness”. |