| 英文摘要 |
Graphic medicine, a term coined by the physician-artist Ian Williams, describes the combination of“the principles of narrative medicine with an exploration of the visual systems of comic art, interrogating the representation of physical and emotional signs and symptoms within the medium.”As the co-authors of Graphic Medicine Manifesto point out, graphic medicine, as“an emerging area of interdisciplinary study,”can effectively educate healthcare professionals and initiate changes in the dominant healthcare practices to become more inclusive. It is, in fact, a transnational collective project. In this paper, I explore the transnational efforts by graphic storytellers to reframe dementia narratives by focusing on four texts, Heavy Snow: My Father’s Disappearance into Alzheimer’s (1999) and At A Particular Age: Heavy Snow Revisited (2020) by American animator and filmmaker John Haugse, Wrinkles (2007/2016) by Spanish comic artist Paco Roca, and Little Josephine: Memory in Pieces (2012/2020) by Valérie Villieu and Raphaël Sarfati from France. I argue that these artists and authors, through their visual representations of the alternative realities experienced by people with dementia and their reconstruction of fragmented memories, establish a unique bond of interdependent relationality with individuals often marginalized as“diseased”and“disabled”in the dominant dementia imaginary. In doing so, they create textual lieux de mémoire or sites of memory, in Pierre Nora’s term, that honor the humanity of those living with dementia. |