藝術編造與歷史想像下的賈似道形象──以傳奇文〈綠衣人傳〉、〈木綿庵記〉為中心

The Image of Jia Sidao in Artistic Fabrication and Historical Imagination: Focusing on the Fictions Luyirenchuan and Mumiananji

本篇討論瞿佑《剪燈新話》〈綠衣人傳〉、趙弼《效顰集》〈木綿庵記〉這兩篇以賈似道為題材的傳奇文。前人研究多著墨於對後世作品的影響，較少關注明傳奇文可能借鑒元代小說，如〈綠衣人傳〉乃編排元代舊事，由元代《湖海新聞夷堅續志》、《江湖紀聞》改編。〈木綿庵記〉前半述賈涉軼事，後半記賈似道之死，皆借鑒《江湖紀聞》。賈似道的傳聞在宋元易代之際流傳頗廣，眾說紛紜，元代小說已有若干記錄，明人又在此基礎上重新編造。本篇將就這兩篇借鑑元人小說的作品，分析其編造素材的藝術手法，探討其如何藉由歷史想像訴求於勸善懲惡的倫理思考。

This article mainly discusses two works featuring Jia Sidao , Qu You's Luyirenchuan from Jiandengxinhua and Zhao Bi's Mumiananji from XiaoPinJi.
Previous studies have focused more on the influence of these works on later literature, while less attention has been paid to the possibility that these Ming legends were influenced by Yuan dynasty novels. For instance, Luyirenchuan adapts events from the Yuan dynasty, incorporating materials from works like Huhaixinwen and Jianghujiwen. Mumiananji describes Jia Sidao's father, Jia She, and in the latter half of the novel records the death of Jia Sidao. These anecdotes are drawn from the contents of Jianghujiwen as well. Rumors about Jia Sidao were widespread during the transition from the Song to the Yuan dynasty, leading to multiple and conflicting accounts. Several Yuan dynasty novels recorded these stories, which Ming writers further adapted. This article uses these two works, which are drawn from Yuan novels, to analyze how their artistic techniques reshape historical material to convey ethical reflections on promoting virtue and punishing vice through historical imagination.