| 英文摘要 |
The concept of“the human”has long been modernity’s vexing issue. This essay employs black feminism, postcolonial theory, and posthumanism to critically engage with normative liberal humanism, intervening in the hegemonic definition of“the human”shaped by Western heteropatriarchal rationalism. Focusing on Black female sci-fi writer Nalo Hopkinson’s Midnight Robber, the essay investigates how she utilizes the speculative method to decolonize hierarchical codings implicit in the Western construct of Man/Human. Hopkinson’s protagonist, Tan-Tan, born and raised in affluence on the technologically advanced planet“Toussaint,”undergoes a profound transformation as she is compelled to escape with her father to the planet“New Halfway Tree.”The new world is inhabited by exiled criminals and indigenous populations. Tragically subjected to violence at the hands of her drunken father, Tan-Tan defends herself by taking his life, leading her to seek refuge in enchanted woods. Here, she develops an extraordinary interspecies bond with non-human creatures in a similar state of precarity. Drawing on Monique Allewaert’s concepts of the“swamp sublime”and“parahumanism,”this essay explores Tan-Tan’s maroon-like escape and examines how her trajectory extends horizontally into a posthumanist realm characterized by“parahumanism”and imbued with interspecies solidary, care, and mutual respect. In unraveling the narrative intricacies of Midnight Robber, the essay contributes to broader discussions on resistance, decolonization, speculative fiction, and the reimagining of humanity beyond the confines of Western and human-centric perspectives. |