| 英文摘要 |
This article analyzes studies on the compilation of the Zuozhuan左傳from the late Qing dynasty until modern times. By reviewing the theories of Qing scholars, scrutinizing their perspectives on the“original texts”(古本) and issues related to the compilation of the Zuozhuan, this article endeavors to draw comparisons with Western scholarship and aspires to provide reflections on early Chinese historical writing and compilation. The article first delves into Qing scholars’pursuit of the Zuozhuan’s“original text,”which evolved into an unconventional trend that emphasized the“layout of the original text.”Second, building upon Qing exegetes’comprehension of the textual structure of the Zuozhuan, the article re-evaluates Liu Fenglu’s劉逢祿theory on Zuoshi chunqiu左氏春秋, pointing out that while it aligns with Qing scholars’perceptions of the visual organization of the text, it is distinguished by its interpretation of the Zuozhuan’s nature. The article then discusses the discourse on the Zuozhuan advanced by the Debating Antiquity School (Gushibian xuepai古史辨學派) and contemporary scholars. These two groups’focus on the“source of materials”and the“process of compilation”signifies a transformation in the understanding of the Zuozhuan, marked by a transition from a classical perspective to a historical one and, eventually, from historiography to material studies. Finally, the article analyzes two case studies on the existing manuscript of the Zuozhuan and the excavated historical text. These case studies aim to provoke reflection and discourse on our contemporary approach to the nature of the Zuozhuan and the compilation of ancient historical writings. |