| 英文摘要 |
In contemporary American literature, William T. Vollmann has been recognized as a particularly notable writer. His novels often mix history and fantasy, attempting to reconstruct American historical memory from the past to the present, notably as in his ongoing series of novels, Seven Dreams. Set in the historical background of the North American continent, the series reimagines the interaction and conflicts between different ethnic groups. As for his recent novel, Europe Central (2005), Vollmann sets his eyes on World War II, employing multiple points of view to investigate how artists, traitors, martyrs, soldiers, even ordinary people face their own respective trauma incurred by the conflict between Nazi Germany and Soviet Union. Vollmann won the National Book Award for Fiction in 2005 because of this sophisticated novel. In Europe Central, Vollmann uses telephone as a metaphor to describe how the network of totalitarian regimes infiltrates individual and collective lives in the war zone. Telephone also becomes the technological instrument that allows both regimes to give orders and control, or eavesdrop on the subject. This paper will explore how the artists on both sides, under the terrorizing strategy of control, face the cruelty of the war, the innocent victims, and their internal struggles in the“gray zone”of ethical dimension. More importantly, Vollmann turns his novel into a parable of war, presenting a multiple and ambiguous variety of consciousness. For the post-911 period, this novel can be regarded as an important retrospection and warning on the historical trauma brought by war. |