性別文化空間、影像與公共性：以阿嬤家和平與女性人權館與文化產製品為例

Gender Cultural Spaces, Documentary Film and Publicity: The Comfort Women Museum and Cultural Products

This paper uses the Taiwan Comfort Women Museum, Ama Museum, and its accompanying documentary ＂Song of the Reed＂ as examples to explore how gendered cultural spaces and films show publicity, carry memory culture, and construct gender networks. The Ama Museum not only displays the memory culture and history of injustice, allowing comfort women to speak out, but also transforms the victims' personal stories into public assets for gender education. Through the Ama Museum and its related film, the intimate life stories of the comfort women go from private matters to public domain, and communicate with the public through the museum and film to allow participants in the Ama Museum to deeply understand the formation of oppression, to emotionally resonate with the participants and the audience, and to enable more women to resist oppression in its many forms. The museum and film interweave with society, the full life stories and experiences of comfort women to connect diverse gender networks, and demonstrate public values and ideas.