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篇名
甘肅卓尼藏族「魯神」圖形核心內涵之研究
並列篇名
Study of the Distinctive Features of the Artistic Form of the Deity Lu of the Co-ne Tibetan people in Gansu Province of China
作者 呂春祥
英文摘要
The artistic form of the deity Lu, or Dragon-god, is inspired by the animistic belief of the Co-ne Tibetan people. Through a long-term process of mutual integration and evolution, it has become an artistic form with rich national and regional cultural features and specific connotations. This artistic form has not only accumulated and retained original, local cultural features, but it also absorbed and integrated foreign cultural elements. Therefore, it can be viewed as an allinclusive artistic form widely drawing upon the richness of both local and foreign aspects. The distinctive religious connotations of the Dragon-god express the boundless charm of Co-ne Tibetan art. They convey the notion of ideal harmony between man and man, man and object, and man and nature in Co-ne Tibetan society. They also embody the ideals, values and aesthetic norms of the Co-ne Tibetans. In recent years, the dragon pattern art has received extensive and increasing attention from scholars, providing vital historical materials for research on nature, history, politics and the culture of the Co-ne Tibetan-inhabited areas.
起訖頁 83-101
關鍵詞 西藏佛教「魯神」圖形核心內涵環境意識萬物有靈Tibetan BuddhismDragon-god pattern artDistinctive featuresEnvironmental consciousnessAnimism
刊名 法鼓佛學學報  
期數 201112 (9期)
出版單位 法鼓文理學院
該期刊-上一篇 所知障是無明或無知?在東亞唯識學與印——藏中觀學之間(下)
 

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