詩人的編輯夢——論吳晟文學編輯之意義與影響

The Poet's Dream of Editing On the Significance and Influence of Wu Sheng's Literary Editing

詩人吳晟的文學地位與創作成就，迄今已有許多討論。各單位或政府機構頒贈的眾多榮耀與肯定，讓吳晟的文學地位逐步邁入文學正典（Literary Canon）之林。但是對於一直有著「編輯夢」的吳晟，其編輯行為曾經如何介入與推動著台灣文學，卻始終未見學術界或文藝界有過深入討論，幾乎就要成為「吳晟研究」中的一塊缺漏，相當可惜。職是之故，本文將依序探討吳晟主要的編輯類型（文學選集）、主要的編輯成果（《大家文學選》、《1983台灣詩選》與其他）、編選行為造成的風暴（引發之批評論戰）及影響（從《1983台灣詩選》到「青少年台灣文庫」讀本），最後嘗試替詩人在文學編輯上的成績，作出階段性總結。

The literary status and creative achievements of the poet Wu Sheng have been discussed a lot so far. The many honors and affirmations awarded by various units or government agencies have gradually brought Wu Sheng's literary status into the forest of the Literary Canon. But for Wu Sheng, who has always had an ''editing dream'', how his editing behavior has intervened in and promoted Taiwanese literature has never been discussed in depth in the academic or literary circles, and it will almost become an omission in ''Wu Sheng Research'' missing piece, what a pity. This article will discuss Wu Sheng's main editing types (literary anthology), major editing achievements (''Everyone's Literature Anthology'', ''1983 Taiwan Poetry Anthology'' and others), the storm caused by editing behavior (triggered criticism war) and its influence (From ''1983 Taiwan Poetry Anthology'' to ''Taiwanese Literature Reader for Teenagers''), and finally try to make a staged summary of the poet's achievements in literary editing.