英文摘要 |
Personals created by Jade Y. Chen (1957-) was an extremely original work in thought and form and thus initiated the deep connection between the invisible theater and social status of marriage seeking in Taiwan. This paper explores the triple identities of the author as marriage seeker, recorder and creator in this work and presents the multiple images of invisible theater and theater of desire by inquiring into the characteristic of this work in applying the invisible theater. This paper argues that this work should not only just be seen as fiction of marriage seeking or love and marriage, while ignoring the multiple natures of it which is ambiguous ,dialogical, avant-garde and popular. Personals intends to make the process of marriage seeking transparent and thus observes the the interaction and debate of the subjects in the marriage seeking in almost the form of report. It records the voices of the populace and involves with the problem of writing ethic and the struggle of self-exposure. By applying the theory of Invisible Theater of Augusto Boal, this paper interpreates the literary experiment of Jade Y. Chen who completed an observation report as a marriage seeker ,social reporter and writer by bringing 43 samples of marriage seeker from various classes and ethnicities in the late 1980s. By means of the performance art of the females who actively seeks marriage, she bravely engaged in border crossing of gender politics through the marriage theater. It is worthy of attention that Personals presents the different imagination and confusion of the populace towards the marriage and desire and the idea of each class so as to reveal the exsiting condition of various kinds of passion and the more obsure apprearance of culture. |