英文摘要 |
In addition to the theory of mind-nature, external human interaction in the philosophy of morals in Confucianism is based heavily on“formalities”. From the perspective of“presentation”in the study of drama, this article attempts to renew the understanding of human interactions structured by classical Confucianism, and asserts that these“formalities”are a type of“present”. This concept of“presentation”is a term with neutral value. The moral presentation of good and evil would be the success or failure in the implementation of the formalities. Moreover, the requirement for“presentation”lies in“trust”- that is“the consistency and stability of the presentation”. Based on this concept, a distinction between the attitude towards oneself and towards others is set up to present different levels of moral presentation. In addition to strict adherence to the consistency of presentation, the requirement for oneself also includes caution in speech and deeds. For others, it is necessary to understand others with empathy, so that they would experience situations of inconsistency publicly and privately. To understand such divergence, we need to“know others’’(but not ask others to know ourselves). Furthermore, we must adhere to the principles of“See no evil, hear no evil, speak no evil, and do no evil”, to be tolerant of the experience of others on the backstage. Understanding the moral perspectives of traditional Confucianism from such a perspective can provide us with a caring attitude and motivation that is consistent with human nature. |