英文摘要 |
In the 1980s, Leo Ou-fan Lee's and Liu Zaifu's advocacy of ''disenchantment'' sparked a new approach to studying the works of Lu Xun. For half a century, Lu Xun and his works had been widely discussed and analyzed, leading to a range of interpretations. During this continuing historical process of evolution and interpretation, some key phrases attributed to Lu Xun had been understood as important symbols that communicate compelling ideas. Such symbolic associations, however, may deviate from the original messages of the texts and the intent of the author. ''A Madman's Diary'' is a prominent example. Various individuals, literary organizations, and political groups have proposed differing approaches for how the story should be interpreted, as well as how cannibalism and the ethical system of feudal society should be perceived. In fact, even Lu Xun's own explanation and interpretation of the story went through a series of changes due to the influence of different literary groups. Considering this context, this article evaluates different types of historical materials to explore how ''A Madman's Diary'' was interpreted from its publication until the 1980s. By examining the shift of literary focus from ''cannibalism'' to ''cannibalism and feudal ethics'' and then to ''the cannibalistic nature of feudal ethics,'' this article explains how various political and cultural groups made use of these symbolic associations to convey particular political messages, which in turn reoriented the interpretation of ''A Madman's Diary.'' |