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篇名
音乐产业“全面数字化”与中国著作权法三十年
作者 熊琦
英文摘要
The Mass digitalize of music industry in China, can be divided into three periods, which are “Piracy and Free of Charge” (2001-2010), “Authorized and Free of Charge” (2011-2016) and “Authorized and Charged” (2017-2021). The change of music industry was deeply affected by copyright law since it enacted in 1990. Due to the lack of rights for online transmission in the first edition of copyright law, music industry was forced into mass digitalized mode by illegal dissemination online. After intervened by the government, transaction order in music copyright market was finally revived, and music industry was highly regulated, which means the regular system is no longer effective. Therefore, music copyright in China has confronted unique circumstance that should be settled by two approaches. First, exclusive license should be considered as a private order that copyright owners used to replace collective license. Second, collective license in copyright law should be opened for internet service providers and copyright agencies other than collective management organizations.
起訖頁 1-12
關鍵詞 音乐作品录音制品集体管理法定许可音乐产业Musical WorksPhonorecordsCollective ManagementStatutory LicenseMusic Industry
刊名 作者授權  
期數 202404 (2024:4期)
該期刊-上一篇 知识产权法与民法的体系定位
該期刊-下一篇 著作权合同中作者权益保护的规则取舍与续造
 

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