縱深幻相：立體圖像到動畫的觸知探索

Illusion of Depth: Exploring Tactility from Stereograph to Animation

自電影發明以來，3D立體電影與虛擬實境作品歷經多次熱潮與衰退，一再展現的是藝術家與觀者對於觸感、立體感的追求，以及如何在現實世界中融合虛擬物的好奇心。本文將從作品的布局及影像內容，透過三個子題「立體圖像的視觸經驗」、「立體影像的觸覺混融」與「空間影像的感覺延伸」進行分析。藉由立體視覺觀看的平面圖像與動畫，是如何在具有虛擬縱深的空間，引發觀看過程的觸覺感知，並延伸討論至束芋（Tabaimo）在實體空間中的動畫作品，以沉浸式投影及具觸覺性的動態影像模糊虛實邊界。從視覺上的轉變及感官的演進，進展至處理觀看行為與空間之間的關係，以及視觸的感知回饋。從觀看過程引發的觸覺感受，是如何可能引誘觀者對自身所處的影像擴展世代進行反思？

Since the invention of film, the popularity of 3D movies and virtual reality works has gone through multiple waves of ascent and decline, continuously demonstrating the artists’and viewers’pursuit of tactile sensations, three-dimensionality, and their curiosity about integrating the virtual into the real world. The article will analyze the layout and content of the artworks through three subtopics:“the visual-tactile experience of stereographs,”“the fusion of tactile experience in stereoscopic moving images,”and“the extension of sensory perception in animated installation.”It explores how flat images and animations viewed through stereoscopic vision evoke tactile perceptions in spaces with virtual depth. Moreover, by extending the discussion to Tabaimo’s animated works in physical spaces, immersive projections and tactile moving images can be utilized to blur the boundaries between the virtual and the real. As we delve into visual transformations and sensory evolution, the focus shifts to exploring the relationship between viewing behavior and space as well as the feedback of visual-tactile perception. How can the tactile sensations evoked during the viewing process entice viewers to reflect on their positions within the expanding realm of imagery?