英文摘要 |
Since the 1980s, the capitalist city of Hong Kong has been the source material for many cyberpunk science fiction works all over the world. However, one of the earliest Chinese sci-fi works that depicts Hong Kong, and even consciously referenced Western cyberpunk novels and made a breakthrough, is probably Hong Kong writer Albert Tam's (1972-) novel Melody of the Night (2008, 2019). Drawing on contemporary Western cinema's theme and narrative style, Melody attempts to break through the paradigm of cyberpunk. Although critics have recognized its work, there has yet to be an in-depth analysis in the vein of cyberpunk writing. This article hopes to explore this. Set in the near future of Hong Kong, where techno-capitalism is prevalent, Melody of the Night examines the evils of the banality of the urban middle class. Instead of adopting the heroic narrative structure of classic cyberpunk, Albert Tam employs ironic writing to reflect on people's application of virtual and augmented reality. The writing style is profound and pragmatic, close to the post-cyberpunk writing advocated by Western commentators. Given this, this paper will first review the development of the Western concept of (post-)cyberpunk. With this reference, it analyzes the social landscape under techno-capitalism as presented in the novel, as well as in what sense urbanites constitute the“networked subjectivity”emphasized by post-cyberpunk. Finally, the paper will explore the rationale and inspiration behind the novel's proposal to reconstruct the networked subjectivity through“vertical connection.” |