宋翔鳳評價姜夔之論詞詩與論詞長短句

Song Xiangfeng's Poetry and Ci Poetry Comments on Jiang Kui

探究浙西詞派到常州詞派對於姜夔詞之態度，有助於理解清代詞學發展面貌，故本研究以常州詞派中繼分子宋翔鳳之論詞絕句、論詞長短句為主要研究對象，並參酌宋翔鳳其他相關論詞文字，探究宋氏對姜夔的評價與態度，企圖重新建構浙西詞派中後期宋氏詞學對姜夔接受的面貌，從而還原姜夔在清詞發展史上的歷史定位。本文歸納出宋翔鳳繼承張惠言感物傷時、寄託遙深之詞學思想，以知人論世為背景，詮釋詞作，但卻比張惠言更重視姜夔音律方面之價值，也指出姜詞曲高和寡、徒留感嘆之缺點。宋翔鳳在常州詞派中修正張惠言選詞之拘泥與看法，標誌著浙西詞派與常州詞派由對立趨向融合的過程。

In the early Qing Dynasty, exploring the varying attitudes of Jiang Kui's Ci poetrywith Zhexi Ci’s poetryand Changzhou Ci’s poetry can help us to understand the development of the Qing Dynasty Ci poetry. This article focuses on the quatrains and long and short sentences of the essays by Song Xiangfeng, a relay member of the Changzhou Ci poetry , and discusses his evaluation and attitude towards Jiang Kui with reference to the author's other relevant essays. In an attempt to reconstruct the acceptance of Jiang Kui by Song Ci poetry in the middle and late Zhexi Ci poetry period, so as to restore his historical position in the history of the development of Qing Ci poetry. This paper concludes that Song Xiangfeng inherits Zhang Huiyan's sentimentality and sustenance in his ciological thought, and interprets his poems against the background of knowing people and the world. However, he pays more attention to the value of Jiang Kui's rhythm than Zhang Huiyan. Disadvantages of sighing. The revision of Zhang Huiyan's rigidity and views on the choice of words in the Changzhou Ci poetry marks the process of the integration of Zhejiang Ci poetry and Changzhou Ci poetry.