法國城郊文學的跨域空間視野：以梅迪．夏夫的巴黎城郊書寫為例

An Interdisciplinary Perspective of Space in French Banlieue Literature: The Writing of the Parisian Banlieue in Mehdi Charef

法國城郊文學因作者身分的特殊性與所處地域環境的複雜性，近年來受到出版業媒體的關注與討論，然而其定位與方向卻仍有所爭議。本文試圖藉由法籍北非裔作家梅迪．夏夫近期的回憶三部曲，來探討城郊文學的特點與可能的閱讀方式。文本研究將從敘事的空間元素出發，探究其地景樣貌與對人物的影響，尤其聚焦於小說中所描述的ㄧ九六○、七○年代楠泰爾鎮移民住所空間的流變。為此，本文取徑自後現代地理學家索雅的空間理論，將空間敘事分為物質、精神與社會三層次，解析空間生產與分配背後的社會過程與人文干涉，突顯城郊文學蘊含的跨學科人文價值。

In recent years, French banlieue literature has gained considerable attention and sparked discussions in the publishing industry due to the unique backgrounds of its authors and the complexity of the geographical settings they depict. However, in France, its positioning and direction remain subjects of controversy. This article aims to explore the characteristics of banlieue literature and potential approaches to reading it through the recent memoir trilogy of French North African author Mehdi Charef. The analysis commences by delving into the spatial elements of the narrative, investigating evolving urban landscapes and their impact on characters. More precisely, this study focuses on passages describing the evolution of housing for immigrants in Nanterre in the 1960s and 1970s. It utilizes the spatial theory of the post-modern geographer Soja to analyze spatial issues from material, conceptual, and social perspectives. The objective is to emphasize the social processes and political interventions behind spatial production and distribution, and to illuminate the interdisciplinary humanistic values of French banlieue literature.