英文摘要 |
Few areas of the world can boast the volume of archaeological findings equal to that discovered in China in the past half century. Since the 1960s, following the great excavation of ancient remains of the Shang dynasty, a number of ancient civilizations have been discovered, and our understanding of the ancient world has improved a great deal. For instance, the Sanxingdui culture in the upper Yangtze River valley and the Liangzhu culture in the lower Yangtze River valley have attracted the attention of most scholars. Unlike the Shang civilization that was situated in the Central Plain and documented in ancient records, these two cultures were located far beyond Central Plain and in areas long consider uncivilized in the historical memory prevalent in early China. Therefore, the discovery of these ancient civilizations has astonished academic circles in China and even people all around the world who simply have a basic knowledge of Chinese history. This article starts with a simple but too often neglected question: why is the discovery of the truth about these civilizations so surprising? People were surprised at these archaeological findings because a discrepancy exists between the commonly acknowledged truths about ''the past'' and the realities of ''the past'' unearthed in peripheral areas. Therefore, we ought to ask when and how this historical perception of peripheral regions and its peoples formed, and when and how the actual past was forgotten. The purpose of this article is two-fold. First, I aim to unravel the ''archaeology of historical knowledge.'' Second, based on this research, I wish to present theories and methods for analyzing ''texts'' as historical memory passed down in oral and writings, and for border/frontier study on Chinese peoples. From the Spring and Autumn period to the Han dynasty, throughout the sinification of the Wu 吳 and the Shu 蜀 peoples, these two groups obtained a new historical memory and therefore became Huaxia on periphery. One stereo type of this new historical memory was: a hero migrated or had been dispatched to a far away land from Huaxia territory and he became genetic ruler of the land. This is what I term the ''hero-want-to-frontier'' historical narrative. I examine three levels of ''structures'' -- historicity, genre and narrative plot -- in various hero-want-to-frontier narratives. I then go on to explain the relations between these ''structures'' and signs in narrative and their concomitant context of social reality. |