英文摘要 |
The Pacific society in the contemporary era is a complex and changing field. Artists from different tribes and cultures have migrated to or grown up in New Zealand to start their creative career, exploring the connection between themselves-identity and hometown in the modern urban life. In this study, the contemporary Polynesian immigrant artist John Pule is taken as the subject to observe how the artists construct a new visual system in contemporary art through their artworks from the perspectives of post-colonialism and diaspora. During the research process of this study, it is found that the colonial history of the Pacific Islands has exerted a profound influence on the production of bark cloth. Its different patterns and weaving methods reflect the traces of the impacts between different cultures and religions, and the process of absorption, translation and regeneration is similar to the original reason that Pule chose bark cloth as his creation material. He combines traditional cultures with personal narratives to respond the imagination of his hometown, and further constructs the subjectivity of Polynesia’s contemporary art. In addition to the introspection of history or colonial trauma, this study also suggests that the world view constructed in Pule’s artworks contains a diaspora identity that is continuously changing and constantly flowing, and always keeps an open metaphor for the viewers. More than a material of creation, the bark cloth in his artworks also plays as a medium to convey the concept of“Who I Am”and the course of life. |