英文摘要 |
In empirical aesthetic research, viewing works of art mainly discusses the point of gaze and the duration of gaze as a primary basis for judging the area of interest in the painting. The image characteristics of landscape painting will cause much exploratory eye movement behavior. The distribution of gaze points is scattered and not concentrated, so it is not easy to interpret. This research uses the mobile eye tracker (MET) combined with the research method of thinking aloud to analyze the viewing of Chinese landscape paintings. While deconstructing the viewing process, it also constructs our behavioral understanding of appreciating Chinese landscape paintings; This study selects three Chinese landscape paintings of different forms as the test samples, and collects data in a display space that is close to the actual viewing of artworks, integrate the scan-paths and the oral content of thinking aloud into a semantically meaningful scan-paths, then use the R programming language to find the rules in the scan-paths data and classify them, and finally visualize the classification rules. The results of the study found that: the three works have their unique ways of viewing, which are: focused attention, graphically active, and complicated details; this study also found that although the complexity of the screen affects the number of rules in the scan-paths, the combination of pictures and texts contains a variety of messages will not cause excessive distraction, nor will it generate too many scan-paths, but it will show a richer level of semantic expression. |