生態智慧：里慕伊．阿紀《山櫻花的故鄉》的三維生態學

Ecosophy: The Three Ecologies in Rimuy Aki's Homeland of Mountain Cherry Blossoms

本文以三維生態學角度，分析當代原住民作家里慕伊．阿紀的文學作品《山櫻花的故鄉》的生態智慧。里慕伊．阿紀是泰雅族新竹縣尖石鄉葛拉拜（Klapay）部落人，在《山櫻花的故鄉》書寫泰雅族的堡耐．雷撒從新竹遷徙到高雄那瑪夏鄉開墾定居的經過，後來落葉歸根，重返原鄉斯卡路（Skaru）部落。瓜達希（Félix Guatarri） 曾在《三維生態學》（The Three Ecologies）提出「生態智慧」（ecosophy）的生態觀，包含主體、社會與環境三個面向的生態學考察，亦即精神生態、社會生態以及環境生態，相當適合討論台灣原住民自然書寫。本文以原住民文學作品《山櫻花的故鄉》，分析台灣當代作家里慕伊．阿紀在泰雅族主體性、地方部落與山林生態三個面向的原住民生態智慧，以「三維生態學」重新思考原住民文學在當代自然書寫的新路徑。

Under the perspective of the three ecologies, this paper analyzes ecosophy in the literary work of the contemporary indigenous writer Rimuy Aki 's Homeland of Mountain Cherry Blossoms. Rimuy Aki is an Atayal writer born in Klapay, Jianshi, Hsinchu. Homeland of Mountain Cherry Blossoms features how the Atayal Bawnay Lesa migrated from Hsinchu to settle in Namasia, Kaohsiung and later returned to his homeland Skarn. 'Ecosophy' in Félix Guatarri's The Three Ecologies includes ecological investigation in three aspects, subjectivity, society and environment. That is, spititnal ecology, social ecology and environmental ecology. It is suitable to discuss Taiwan indigenous writers' natural writing in this ecological view. This paper examines indigenous people's ecosophy in the contemporary Taiwan writer Rimuy Aki's indigenous literary work Homeland of Mountain Cherry Blossoms through three perspectives, the Atayal's subjectivity, local tribes, and the ecology of the mountain. In terms of 'the three ecologies,' this paper rethinks indigenous literature's new path in contemporary natural writing.