蘇紹連詩中的缺位、擬態與身體

"Vacancies, mimicry, and the body in the Su Shao- Lian's poem"

蘇紹連的「本土傾向」是隱藏的，在精神上他是一名憂鬱的「異鄉人」，長年感受到「影子停留在本土哀嚎」，這是實不副的失落感和精神困頓。此文由蘇紹連的「缺位」、作為一位「隱藏作者」的美學禁忌切入，探討蘇紹連詩作的「擬態」方式，如何透過隱形和變形，逐漸展現其詩作隱晦的光芒。末了也探討蘇紹連既處於詩壇邊緣一如台灣國際地位邊緣化的「孤島現象」，是如何一路透過「異想」的創造和開始對身體的正視，建構其本身詩國的城堡及本土關懷的主體。

"Su Shao-Lian's ""native tendency"" is hidden, in spirit he was a melancholy ""stranger"" so long to feel the ""shadow stays at home crying”. Therefore, the post-war generation of Taiwanese poets in the face of the self and of the land, there were really not vice- ridden sense of loss and mental hardship. This paper is from Su Shao-Lian's ""vacancy"" and ""hidden author"" taboo aesthetic point of view, to explore Su Shao-Lian's poem ""mimicry"" approach, that is, how through stealth and deformation, unfolding his poems veiled light. Finally, it discusses how to go through the imagination and the body, he constructed a castle poem native country as well as the main concern."