狂歡‧延緩‧重複：向陽詩集《亂》析讀

"Carnival, Deceleration, Repetition: An Aesthetic Analysis on Xiang Yang’s Luan"

向陽為當代台灣重要詩人，其後出之作《亂》一集而兼有「接收延緩」的多種表現，如「空白設置」、「文辭詩化」、「互文織網」、「張大悖論」、「視角陌生」等，且以多元的「重複」，為詩作添上優美的音樂感，並在相當程度上與其內容相發，其詩藝之高，值得激賞。另外，向陽《亂》在形式上的文體交混與雜語使用令其與巴赫金言說有著相互發明之處，其社會性和創新性可藉與理論的比照對觀而得以呈現。

"Xiang Yang is a prominent poet who has contributed greatly to the Taiwanese modern poetry. His Luan has achieved the aesthetic goal of causing deceleration of the receivers by its efforts in arranging blanks, intertextuality, strange viewpoint and the like, while the high frequency of―repetition‖appeared has enhanced its musical effects for the readers. Besides, the originality of Luan can be explored in the sight of Bakhtin’s literary theories."