以詮釋學視角對攝影影像本體論的分析

An Analysis of the Ontology of Photographic Images from a Hermeneutics Perspective

本文以高達美詮釋學，以及海德格現象學作為基礎，以視覺文化研究的相關資料作為線索，通過對攝影影像「史、實、論」三位一體的歷史梳理，來討論攝影影像的本體論。本文的研究範圍僅在類比的靜態攝影影像範疇，對數位影像不作討論，另外，對攝影影像的分析主要集中在攝影影像作為藝術作品的本體及其詮釋學意義上。

"This paper proposes an ontology of photographic images by conducting a critical historical review over the topic. Based on Hans-Georg Gadamer's Hermeneutics and Heidegger's Phenomenology, the paper integrates relevant materials from visual culture studies through the methodology trinity of ''History, Practice, and Theory''. The discussion in the paper does not involve digital images; the paper only focuses on analog static photographic images as Work of Art and their ontological and hermeneutical significance."