My name is Jane的存在證實與展演策略

The Proof of Existence and Strategy of Performativity -My Name is Jane

作者自2013年開始《Jane》系列作品創作，以Jane為主題完成〈偽旅行記事〉、〈珍的日誌〉、〈你今天的味道是？〉、〈流動的珍2018〉、〈珍的肖像2019〉、〈肖像花園〉、〈我是珍〉、〈絮語〉、〈請你我說〉、〈i_digi_jane〉共計10件作品。此系列是以網路上「Jane」的資料(Data)作為創作材料，創造出以「Jane」為符碼而存在的個體，透過以「Jane」為名的書寫、影像、肖像、味道、語音等，作為在也不在的存在證實。技術應用涵蓋自動搜尋系統平台、數位影像即時處理、臉部辨識系統、互動控制、文字轉語音自動系統（text to voice）、大數據分析、情感運算、人工智慧等。此研究論文以Goffman「劇場理論」，分析《Jane》系列作品中所創造出的不存在個體，討論《Jane》系列創作中的兩個創作意識討論：一、展演與敘事策略、二、以訊息存在的劇場與存在證實。

"Since 2013, with Jane as the theme, I created the ''Jane'' series of works. There are 10 art works: ''Traveling to'', ''Jane's Diary'', ''What is your scent today?, ''Flowing Jane 2018'', ''Digital Portraits-Jane 2019'', '' Garden of Portraits'', ''My Name is Jane'', ''ChitChat'', ''Please Tell Me'' and''i_digi_jane''. As a confirmation of the presence or absence, this series works utilizes the data of ''Jane'' on the internet to create a coded entity through the texts, images, portraits, scent, and voice, etc. Technical applications include automatic search system platforms, real-time digital image processing, facial recognition systems, interactive control, text to voice automatic systems, big data analysis, Affective computing, artificial intelligence. This paper employs Goffman's ''Dramaturgy Theory''to analyze the context and performance of the ''Jane'' series. Discuss two issues 1, performance and narrative strategies, and 2, the confirmation of existence by information and performativity."