零雨《田園∕下午五點四十九分》的地理與人文

The Geography and Humanities of Ling Yu’s''Pastoral∕5:49 PM''

零雨(1952-)在2014年出版第七本詩集《田園／下午五點四十九分》，獲得吳濁流文學獎新詩類佳作獎，引起廣泛討論。本詩集描繪她從台北住家到任教的宜蘭大學，途中所見的景觀，包括火車、龜山島、田園、家屋、黃泥路等空間景象，其書寫模式有別於她過去對古地圖、城市與箱子系列的描繪，也就是從封閉、逃離的矛盾與挫折，轉向開放、自由與和諧的心境。本文先從其火車經驗入手，從其中流動愉悅的情緒中，看到零雨逐漸放鬆語調，進入世俗鄉間的生活步調。其次則從她對田園景觀的描繪，分析她對鄉村人事物的熱愛，以及對商業入侵的抵抗。零雨提出「荒廢」美學來抵抗田園的過度開發，這樣的田園觀，具有「新」的價值觀，也代表她企圖建構內在秩序的「心」的田園。

Ling Yu (1952-) published her seventh collection of poems ''Pastoral / 5:49 PM'' in 2014, which won the Wu Zhuoliu Literary Award for New Poems. And this poetry aroused widespread discussion. This poetry depicted the landscapes she saw on the way from her home in Taipei to Yilan University where she teaches, including spatial scenes such as trains, Guishan Island, countryside, farmhouses and mud roads. The writing mode of space is different from her past experience which were concerned about ancient maps, cities and series of ''boxes''. The depiction of the series changes from the contradictions and frustrations of isolation and fleeing to an open, free and harmonious state of mind. This article starts with her train experience, and from the flow of joyful emotions, we can see that Ling Yu gradually relaxes her tone and enters the life pace of the secular country. Secondly, from her depiction of rural landscapes, she analyzes her love of rural people and things, and her resistance to commercial invasion. Ling Yu proposes the aesthetics of ''abandonment'' to resist the over-exploitation of the pastoral. This pastoral view has a ''new'' value, and it also represents her attempt to construct an inner-ordered ''inside'' pastoral.