自癒‧癒人：論台灣新世代女詩人徐珮芬的暗黑系書寫

On the dark writing of Xu Peifen, a new generation female poet in Taiwan

本文以台灣新世代女詩人徐珮芬作為討論對象，透過徐珮芬的「暗黑系」書寫例子，可以發現台灣年輕世代讀者愈是感到現實苦悶，愈是傾向於閱讀厭世派的作品。越苦悶越要讀詩，詩歌在當代盛行的其中一個原因，就是因為新世代詩作裡的厭世感能與讀者共鳴。以徐珮芬為例，有同理心、探向真實、整理傷痛，以及批判和反思現實等書寫風格深受讀者喜愛。徐珮芬自癒癒人的書寫現象，不僅是表面現象之新世代共同困境的「同溫層」取暖，更深層的心理背景是，年輕世代詩人所呈現出來的無法適應群體價值，導致主體自厭自棄、身心無法統整的負面寫作，以及詩歌走向口語化與日常化，皆反映了年輕世代主體意識可能有的共同認同與美學觀點。

This article takes Taiwan's new generation female poet Xu Peifen as the object of discussion. Through the example of Xu Peifen's ''Dark black'' writing, it can be found that the younger generation of Taiwanese readers feel the more distressed, and the more they tend to read the works of ''World-weary''. The more you are depressed, the more you have to read poetry. One of the reasons why poetry prevails in the modern era is because the sense of world-weary in the new generation of poetry can resonate with young readers. Taking Xu Peifen as an example, writing styles such as empathy, truthfulness, pain, and criticism and reflection of reality are deeply loved by readers. This is not only the ''stratosphere'' warming of the common dilemma of the new generation of superficial phenomena, but the deeper psychological background is that the young generation of poets can not adapt to the group value, leading to the negative self-discrimination of the subject and the inability to integrate the body and mind. And the poetry towards colloquialization and daily life reflects the common identity and aesthetic views of the younger generation's subjective consciousness.