詩藝的追尋與詩人形象之凝塑：楊寒及其「論詩詩」

The Pursuit of Poem Art and the Image Construction of Poets: Yang-Han and his''On-poetry Poems''

作為臺灣1970世代的學院作家，楊寒（1977-）的詩充盈著對創作議題與詩人身分的思考，也在詩作中寫下為數不少的「論詩詩」。文中，主要從「以詩論詩」以及「詩寫自我」，這兩個角度來觀看這些作品。在「以詩論詩」的類別中，我們可以發現，楊寒致於揭示詩創作的多樣性，及其對時間和意識的思考。在「詩寫自我」一類中，他則以一位具冒險精神的巫師，以及一名悲懷孤獨者的形象，再現自我的詩人身分。此等，我們可以看見其對詩和生命的想像與探索，對時間的觀察與自我表述，也能了解其詩作的藝術與思想價值。

Being an academic writer of the 1970s in Taiwan, Yang's (1977-) poems are full of thoughts regarding the issues of poem creation and the identity of the poet. He also created many ''on-poetry poems'' in his works. In the paper, his works are mainly discussed from the perspectives of ''discussing poems with poems'' and ''writing poems about oneself.'' From the perspective of ''discussing poems with poems,'' Yang tried to reveal the diversity of poem creation and thinking about time and awareness. From the perspective of ''writing poems about oneself,'' he reproduced his own poet identity as an adventurous wizard and merciful loner. As such, we can understand his imagination and exploration of poetry and life. As for his observation of time and self-description, we can understand the art of his poems and the value of his thoughts.