岩上詩論研究

Research on Poetry in Yen Shang

在臺灣的前行代詩人中，岩上除了在臺灣新詩發展的歷史脈絡上，有重要地位之外，他其實也把自己定位成一位「詩論家」，所以他透過理論文字的撰寫與詩歌評論，提出自己的詩歌美學與詩學理論，但這一個部分卻是學者較少涉及的研究命題。因而筆者便整理岩上的詩論文字，進行系統化的歸納與分析，探討岩上詩論的特質與內涵，希望能夠把岩上研究中較為少人關注的範疇，做一個先行的開拓。「詩學＝詩論＋詩作」，因此詩論研究應視為詩學研究之一環，本文並未列舉岩上詩作互證其詩論，一方面是因為本文聚焦於「詩論」的分析與系統建構，另一方面，所謂的詩與詩論互證是否有意義與價值，或許也是一個值得商榷的問題。正因如此，本文便將焦點放在對岩上詩論的清楚辨析之上，提供未來研究者進行詩學研究的基礎。

Among the ex-generation poets in Taiwan, apart from playing an important role in the historical context of the development of Taiwan's new poetry, Yen Shang actually positions himself as a ''poet theorist.'' Therefore, through the writing of his theoretical writings and his comments on poetry, Put forward his own poetic aesthetics and poetic theory, but this part is the research topic that scholar asked. Therefore, the author arranges the poetic texts on the Yen Shang to systematically summarize and analyze the characteristics and connotation of the poems on Yen Shang, hoping to make a pioneering work in the field of less people's concern in Yen Shang research. Therefore, the study of poetic theory should be regarded as a part of poetics research. This article does not list mutual evidence of poetic theory in Yen Shang's poetry. This is because the present paper focuses on the analysis and systematic construction of poetic theory. On the other hand, In terms of the mutual significance of the so-called poetry and poetry, it may be a question worth discussing. For this reason, this article focuses on the clear discrimination of Yen Shang's poetry and provides the basis for future researchers' research on poetics.