以「六觀」術語分析高行健之《冥城》

Analyzing Gao Xingjian’s Play Nether City with the Term of Six Viewpoints in the Literary Mind and the Carving of Dragons

西方文學理論一直以強勢之姿，逼迫中國文學理論處於退位。即使在時勢所趨，然中國文論仍有其可用的價值。本文藉用學者黃維樑教授對於劉勰《文心雕龍》之〈知音〉篇中的「六觀」：一觀位體；二觀置辭；三觀通變；四觀奇正；五觀事義；六觀宮商術語的新詮釋，用來分析高行健先生的現代戲劇《冥城》，藉以討論出該劇的主題思想、情節結構、語言人物及音樂腔調，並觀看出高行健對中國傳統戲曲與現代戲劇的繼承與創新的手法。透過此文的分析研究來證明中國的文學理論其存在的必要性與可為現代文類的批評帶來新視角的價值性，中國的文學理論若能活化新用，就不會消失在西方文學理論的洪流中。

The Chinese theory always stands on the minor line because the western theory is on the hot. The Chinese theory has still its own value, even though the western theory is in the currency. There are six viewpoints of Jyin (Close Friend) Chapter in the Literary Mind and the Carving of Dragons (Wenxindiaolong) and the professor, Wong Wai Leung, explains them with new interpretation. The new interpretation of six viewpoints is used in the study to analyze Gao Xingjian’s play Nether City on the theme, the structure of the plot, the language and the characters, the music, and to observe Gao’s skill of inherit and innovation between the Chinese traditional drama and modern drama. It proves in the study that the Chinese theory is still necessary and has its new value for creating new field in the modern literature. If it can make it alive and use it re-new, the Chinese theory can’t disappear in the flood of the western theory.