迪悌耶鋼琴奏鳴曲研究

Study on the Henri Dutilleux's Piano Sonata

迪悌耶是法國二十世紀下半葉以來最重要的作曲家之一。他的創作延續印象樂派的樂風，但卻保有自己獨特的風格。其作品產量雖然不是相當多，然都因極為細膩並有極高的原創性，從而獲得許多國際大獎的肯定。本文所要分析的作品鋼琴奏鳴曲，是迪悌耶為其妻鋼琴家Geneviève Joy所創作的。可視為是確立個人語法的第一號作品。其創作延續德布西所開創的擴大調性的格局，並融合調式或增添變化音等技法，再輔以精湛的變奏寫作，使得音樂不僅不歸入任何的創作流派，還因其堅持自己的道路而獨樹一格。文中將以鋼琴奏鳴曲為研究對象，闡述其創作理念的意涵、創作技法之發展與其特有的音樂語法。

Henri Dutilleux is one of the most important French composers of the second half of the 20th century. He has produced work in the tradition of impressionistic music, but in a style distinctly his own. Although his output is relatively small, its high quality and originality have won numerous international praises. Dutilleux numbered as Op. 1 his Piano Sonata, written for his wife, pianist Geneviève Joy, and has renounced most of the works he composed before it because he did not believe them to be representative of his mature standards. His music extends the legacies of Debussy. As a stylistically independent composer, he always refused to be associated with any school. Rather, his works merge the tradition of impressionism and the atonal innovations and he translates them into his own idiosyncratic style. Very refined instrumental textures, fluid accidentals, divers variations are some characteristics of him.The present article situates the work in its contemporary context, illuminating points of theoretical significance as they relate to the composer's ongoing creative development and distinctive musical language.