論博物館數位圖像、藏品與觀者之聯結

A Study on Exploring the Connection of Museum Digital Images, Collections and the Viewers

本文以科技變遷之發展脈絡為起始，探討攝影圖像於不同時期之傳播革新及其社會影響，並論述博物館數位圖像於當代之存在意義。經由科技的進程，攝影影像促進文化理論之辯論，包含觀者如何詮釋、觀者的記憶或想像等概念。承襲此取徑觀點，本研究進一步探討，博物館如何從藏品紀實之社會需求而開始博物館圖像之建置，再隨著社會發展歷經藏品數位化過程，博物館數位圖像逐步演變為博物館之文化載體，影像從實存對象的複製物，逐漸透過數位化傳播方式的知覺體驗而成為人類想像意識中之圖像，並在當世開啟博物館數位圖像、藏品與觀者之聯結意義。本文試圖闡述藏品與數位圖像於現今並存的重要性，並續以現象學之觀點分析數位圖像與觀者之聯結的可能性，除了意識活動之開展，數位圖像也成為當代授權推廣應用之重要資源基礎，博物館從數位化環境中形塑一個從生活世界中延伸的文化汲取脈絡，或稱數位環境中的文化景觀。
We start with the development of scientific and technological changes. Under this context, we discuss the communication innovation and social influence of photography images in different era. In this study, we explore the existential meaning of digital images of museums in the contemporary. Through the process of science and technology, photography images promote the debate of cultural theory, including the concept of how the viewer interprets the memory or imagination of the viewer. Inherits this approach, this study further explores how the museum begins with the social needs of the collection archive. It is with the development of the digitalization process of the museum, the digital image of the museum gradually evolved into the cultural carrier of the museum. The image from the replica of the real object gradually becomes the image of Imaginary consciousness through the perceptual experience of digital communication. This paper attempts to expound the importance of the coexistence of collection and digital images, and continues to analyze the possibility of the connection between digital images and viewers from the perspective of phenomenology. In addition to the development of consciousness activities, digital images have become a popular application for image licensing, the important resource base of digital humanities. Museum opened the digital image in our era, creating the connection between the collections and the viewer. In this point of view, digital images of museum are shaping a culture that extends from the lebenswelt, or a cultural landscape in a digital environment.

We start with the development of scientific and technological changes. Under this context, we discuss the communication innovation and social influence of photography images in different era. In this study, we explore the existential meaning of digital images of museums in the contemporary. Through the process of science and technology, photography images promote the debate of cultural theory, including the concept of how the viewer interprets the memory or imagination of the viewer. Inherits this approach, this study further explores how the museum begins with the social needs of the collection archive. It is with the development of the digitalization process of the museum, the digital image of the museum gradually evolved into the cultural carrier of the museum. The image from the replica of the real object gradually becomes the image of Imaginary consciousness through the perceptual experience of digital communication. This paper attempts to expound the importance of the coexistence of collection and digital images, and continues to analyze the possibility of the connection between digital images and viewers from the perspective of phenomenology. In addition to the development of consciousness activities, digital images have become a popular application for image licensing, the important resource base of digital humanities. Museum opened the digital image in our era, creating the connection between the collections and the viewer. In this point of view, digital images of museum are shaping a culture that extends from the lebenswelt, or a cultural landscape in a digital environment.