英文摘要 |
Elizabeth Barstow Stoddard's novel”Two Men”(1865), published at the close of the Civil War, has gained only moderate attention by scholars so far. Among those who have examined the novel, only Jennifer Putzi deals with the phenomenon of the”American Sphinx,”which she convincingly puts into context of the pressing questions as to the definition of national identity at this crucial time in U.S. history. Taking its cue from Aby Warburg's cultural work concerning the”revival of antiquity”and his”theory of the polarity of the symbol,”this article further explores the mythology and mythography that resurfaces in the discontinuities and discrepancies of Stoddard's novel. Next to the Sphinx there resurface the mythological figures of Hermes/Mercury and Priapus. Partly modelled after Ovid's classical text Fasti, Stoddard relates the story of the Priapic Parke as opposed to the Mercurian Jason whose qualities as the ancient trickster god subtly undermine the old order. Reviving the classical”grottesche”by exploiting the contemporary Victorian flower language and imagery, Stoddard transforms Priapus's classical chase of Lotis and Vesta into a confrontation between the sexes that introduces the female protagonists as equal (sexual) players. At the same time, Stoddard's adaptation of classical myth brings to the fore the uncertainties that these changes of the old order entail, concluding the novel with the ambiguous image of Mercury and the Sphinx either enshrined, or entombed, in the New England ancestral home. |