朦朧‧隱蔽：水墨畫的模糊美感

Hazy. Concealment: the Blurry Beauty of Ink Painting

朦朧‧隱蔽視覺樣貌的水墨作品，是傳統東方含蓄精神與美感的延續，亦是創作者與當下現實環境互動後所選擇的表現方式，除了視覺上的模糊，更是創作手法上一個混沌而開放的表現場域，藉由模糊的中間特質，創作者得以在此嚐試、試圖創造出新的水墨語彙。本文以劉信義、吳惠淳、曾冠樺、陳睿淵的作品為例，探尋他們建構此種朦朧的背後之意與可能性。

The ink paintings that conceal the visual appearance are the continuation of the traditional oriental implicit spirit and beauty. They are also the expressions chosen by the artists after interacting with the current real environment. The open field, with ambiguous intermediate qualities, allows creators to try and create new ink vocabulary. This article takes four young artists as examples to explore the meaning and possibility behind their construction of such blurry.