"Chinese literature has a long history of lyricism, and it has become a consensus under the discussion of scholars. Wang Xi-zhi’s ""Preface to Lang Ting series"" is often referred to as the masterpiece of lyricism. On the other hand, Wang Xizhi’s "" Lanting shi "" expresses the feelings of the party at that time, but the focus of discussion is always between the etaphysical poetry and the landscape poetry. The lyrical nature of poetry is rarely discussed.This article uses ""Lanting shi"" as a discussion to find that the philosophical words in poetry are the expression of the poet’s subjective emotions; the poet’s description of the landscape is actually the emotional image of the poet. This kind of vision and feeling for nature and self-life is not just pure rational thinking.In poetry, there are some self-exploring grammar, the strengthening of negative words, the use of narrative sentences (verbs), etc., all clearly show the poet’s subjective feelings. Therefore, compared with the ""Preface to Lang Ting series"", the writing of ""Lanting shi ""also has a lyrical self, which is a concrete presentation of the poet’s lyrical experience. masterpiece of lyricism. On the other hand, Wang Xizhi’s "" Lanting shi "" expresses the feelings of the party at that time, but the focus of discussion is always between the etaphysical poetry and the landscape poetry. The lyrical nature of poetry is rarely discussed.This article uses ""Lanting shi"" as a discussion to find that the philosophical words in poetry are the expression of the poet’s subjective emotions; the poet’s description of the landscape is actually the emotional image of the poet. This kind of vision and feeling for nature and self-life is not just pure rational thinking.In poetry, there are some self-exploring grammar, the strengthening of negative words, the use of narrative sentences (verbs), etc., all clearly show the poet’s subjective feelings. Therefore, compared with the ""Preface to Lang Ting series"", the writing of ""Lanting shi ""also has a lyrical self, which is a concrete presentation of the poet’s lyrical experience. "