英文摘要 |
Apart from Ggoon and Kanon, ''Touon'' is another way of reading Japanese kanji. Since Touon was introduced into Japan in Heian-Jidai(平安時代, after 1000 A.D.), comparing with Ggoon and Kanon, its usage was more limited. Touon can be further classified as ''Touon in Middle Ages(originated from southern Zehjiang in 11 th-14 th centuries)'' and ''Touon in Modern Age(mainly originated from the dialect in Hangzhou, Nanjing Mandarin, and some from Beijing Mandarin in 15 th-18 th centuries)''. The main research materials of Touon in Modern Age include pronunciation gathering in scriptures of Huang-Po School(黃檗宗), regulations and musical sheets of SōtōSchool(曹洞宗), and the textbook of Tou-tsuuji(唐通事)in Nagasaki. This study uses ''Tang Poetry Anthology and Touon'', which is atextbook of learning Tang-Hua that might be annotated by Tou-tsuuji Liu Dao in the 18th century, as the main research material. This study compared 1,022characters from Tang Poetry Anthology and Touon to discuss velar consonants, including velar stop and nasal consonant. The correspondence between those characters and Katakana notation devotes to understand how to pronounce the velar consonant in Touon in Modern Age. For instance, most of the Jian-series(見系)tend to be annotated with Katakanaカ,キ,ク,ケandコ; however, some of the characters were annotated withヤ,ヨ,イ,ウ,エ,ワ,ヱandニ. Furthermore, this study parallely selects some important literary annotation works of Okazima Kanzan(岡島冠山). In addition, some materials of Touon, Ggoon or Kanon were also investigated in the study. In sum, the results will help us to build the basic description of our overall understanding of Touon in Modern Age. |