英文摘要 |
Singaporean director Eric Khoo's Be With Me (2005) is a 93-minute film with dialogues less than 5 minutes in total. The majority of the conversation is done by the character Theresa, who talks in English. There are also Hokkien dialogues made by other characters, such as the social worker and his old father as well as the fat security guard. Contrasted with the Mandarin dialogues that are far less than the conversation in dialect, Chinese scripts are voiceless but determinative in this film. The Chinese love letter that the security guard eventually completes is viewed as the mission he attempts to fulfill. The Chinese translation of Theresa's memoir helps the old father overcome the pain of losing his wife. In light of Shu-mei Shih's proposition of Sinophone studies, this essay will tackle the problem of applying the idea of Sinophone literature to the verbal text by taking Be with Me as an example. On the premise that Sinophone literature is polyphonic and polyscriptic, Singaporean Sinophone literature incurs no doubt for its hybridized use of Chinese, Singlish and other dialects in written texts. However, as a special case, Be with Me calls into a question whether Sinophone cinema should include a film in which Anglophone exceeds Sinophone. This essay regards Be with Me as Sinophone cinema so that the trope of the silenced mouth in this film can be intertexualized with other Sinophone texts outside Singapore through the platform of Sinophone studies. |