英文摘要 |
According to the word 'hì-khek' etymologically, the music (khek) is a part of indispensable elements in the whole performance (hì) traditionally. The puppetry theatre (pò-tē-hì) is one of traditional performance in Taiwan. One of aims of this theatre is to create the soul, the inner feelings of a character, by visual head's sculpture art and by auditory songs of music. There are many songs of music to create the unique characters of puppetry theatre in periods of 1960s and 1970s. Those original sources come from Japanese, American Movie, the traditional drama, and the Taiwanese popular song. The melody of 'pak-kóan', one of traditional style, could be a new song for new characters for exemple Pì-tiong-pì, Ko-toa^n-lāu-lâng, Lú-pok-kun. Not only appropriation of traditional music by traditional, but also of many works of Taiwanese popular composer, Iû^n Sam-lông, Tân Chheng-bûn, Chng Khé-sèng after World War II. Even 'lâm-kok hoe-phó' in 1939, an extraordinary work of Tēng Ú -hiân had attracted attention by puppetry theatre in television. The puppetry theatre had cooperated with individual creators of music in 1990s. Pili International Multimedia Company had appropriated the form of title's song and end's song in Japanese cartoon, and had developed the longtime cooperation with Everything But The Culture Company, Dmile Music. Based on the analysis of those historical resources, we will discuss the possibility of cultural innovation how to develop the new kind of puppetry music. |