從文化地景探孟浩然〈耶溪泛舟〉之書寫筆法

Analysis of Meng Haoran how to use cultural landscape to write the poem “Rafting in Ruo-Ye River”

此文主旨在探討孟浩然在〈耶溪泛舟〉所表現對人物及景點之書寫筆法及該詩所欲傳達之意旨。由於〈耶溪泛舟〉寫於孟浩然遊歷吳越之時，此文便以該時期詩作為主要考察範圍，並旁及唐人相關詠嘆若耶溪詩歌，透過歸納分析方法，整理孟浩然遊歷吳越時的心境，作為討論此詩寫作心境之依據。此文並採用文化地理學觀點，根據若耶溪旁的名勝遺跡，推測詩句中提到釣翁、浣女乃孟浩然憑弔葛仙翁釣石及西施浣紗石時，故意轉化歷史人物虛擬為溪畔人物以入詩的書寫筆法。此文最後得出〈耶溪泛舟〉具兩種不同情調之結果，前半部展現孟浩然悠閒自適的泛舟之樂；後半部對旅遊景物所代表的歷史文化進行詠懷，傳達時空對立下的傷悼之意。透過此文的考察，有助於啟示學者如何透過真實景點分析古代文人之旅遊書寫。

This paper is mainly to explore the subject and how to express the writing methods about figure and landscape in “Rafting in Ruo-Ye River” by Meng, Hao-ran. Because “Rafting in Ruo-Ye River” was completed when he traveling in district of Wu-Yue, so this paper investigate his poerty oh this period, and the works of other people in Tang Dynasty. This paper uses inductive analysis method, and borrowing cultural geography perspective. According brook scene, this paper speculate the angler and maiden are the actual scene. “Rafting in Ruo-Ye River” has two different kind of sentiment. First half express the happiness by rafting, After half express the mouring by cherishing the memory of the past. Through this study, can help researchers how to analyze written by ancient scholars of tourism real attractions.